It’s a great privilege that the nation will
be licking the backs of our heads.
-Matt
Smith
Me: Are you excited?
Him: About the end of the world?
Me: Nah, that’s just North Korea
showing off, I wouldn’t worry about it.
Him: Have you ever wished you
were a kangaroo? In a spacesuit? At the North Pole? Fighting zombie polar bears? In space.
Me: So, is that your Big Finish
pitch?
The
Him sniffs.
Him: Nah, still the original
one. Whatever it was.
Me: It was the The Moonbase sequel.
Him: Oh yeah, with Katarina and
the Cybermen.
Me: Well, it’s been a busy news
week for Doctor Who – slightly
cheerier than last week as well.
Him: Frogs are amphibians that
eat squids and can pilot small submarines.
In space.
Me: Would you might not pitching
while I’m trying to save the world?
Him: I’m not pitching stuff.
Me: You sure?
Him: Yeah.
Me: Right. First up then: stamps.
Him: Now then, caterpillars are
small insect things with three legs, the ability to fly, shoot lasers and eat
small houses. They also land on
spacecraft and can destroy them with one bite.
In space.
Long,
long pause.
Me: The stamps are lovely. How about the prequels?
Him: What prequels?
Me: That one with the Doctor
hanging around a Roath Park playground.
Oh – I think it might tie in later too, there’s not a huge amount of
Roath Park you can film in – apart from the terrapin arboretum where Jenny came
back to life. I suppose there might be
strolling. And a shot of Scott’s
lighthouse. Hmmm. Sorry, ‘spoilers’.
Him: What?
Me: Give it eight weeks and I’ll
appear to be a genius. Or erase that bit
from Doctor Who.1
Him: Erase what bit?
Me: That’s the spirit. What were your thoughts about that one?
Him: On what?
Me: The Doctor and Amy on the
swings.
The
Him thinks for a moment, and decides to play.
Him: I don’t recall that. Read what you’ve said.
Me: I know what I said.
Him: And what was that?
Me: ‘The Doctor and Amy on the
swings’. Because I’m sure that’s what it
was when the Moff first wrote it. And
then just ran a find-and-replace, substituting ‘Clara’ for ‘Amy’.
Him: Sounds fun.
Me: Some of the cast for the
Fiftieth just got announced. Do you want
to know who they are?
Him: No.
Me: Good luck avoiding it. The BBC seem to delight in publishing
spoilers as loudly as possible. The Radio Times’ll never see a return to the
glory days of Earthshock’s surprise
guest appearance.1
Him: I don’t read the Radio Times.
Me: It doesn’t matter.1 It’ll be on a billboard or something. Alright, I won’t tell you and we’ll see how
long you can stay unaware.
Him: Yay!
Me: Now, back to Roath Park.
Him: Were we ever there?
Me: Lots of times. I’ve got a photo of you on those very
swings. Somewhere.
Him: Interesting. I don’t remember that.
Me: I wouldn’t have thought you
would. You were very small. You clambered up
the red wire climbing thing, fed terrapins and had an ice-cream next to the
lighthouse.
Him: Oh.
Me: So, this prequel. Anything you want to say about it?
Him: Nothing in particular.
Me: Did you guess the twist?
Him: Yeah.
Me: Well done. So, the second one, The Battle of Demon’s Run: Two Days Later.
I’ve got some questions I want to ask you about that one before we go
any further.
Him: Alright, but if you ask me the
sort of stuff that you know I hate and I don’t answer it then that’s why.
Me: I’m not sure that makes
sense.
Him: I don’t care.
Me: Right. It solves the problem of Strax being dead and
then all of a sudden back with Madame Vastra and Jenny in Victorian London.
Him: Does it though? Or does it just try and solve that problem?
Me: I’m sure it felt like a
particular sweet piece of problem-solving when it first rolled out of the
printer. However…
Him: Yeah?
Me: That means that everything’s
happening in the right order. On
everyone’s timeline. In the classic
series that happened too, but mostly just with the Time Lords. And no, I’m not suggesting anything.
Him: Right, okay then.
Me: And it’s obviously not part
of any over-reaching plan. Those three
characters turned out to be massively popular, so they got brought back. Kind of like what happened with Sarah-Jane
and K9. And, to an extent, Jamie. I’d better mention Nyssa too, just to annoy
people.
Him: What?
Me: Don’t worry. My main question, before anything else, is
this: does this prequel count?
Him: I have no idea what you even
mean by that.
Me: Okay. Does Shada
count?
Him: I don’t know.
Me: Well, what I’m going on is
that it’s only the stuff actually shown on the BBC as part of Doctor Who that counts as being Doctor Who.
Him: Right.
Me: Everything else – Pond Life, Night and the Doctor, Scream
of the Shalka, Dimensions in Time,
the comedy sketches, the New Adventures, Big Finish and
so on – all of that can be ignored. None
of it counts any more than the comics or the adventures made up by kids playing
with their Weetabix cards. It’s fan fiction. All of it.
Some of it’s a bit more public than others but that doesn’t mean
anything. It’s not part of Doctor Who. It doesn’t count.
Him: Right.
Me: Am I? It’s quite a hardline view. But it does mean we don’t have to watch Downtime again.
Him: Which one was Downtime?
Me: Victoria, the Brig, Sarah
Jane and the Yeti. In hell. Remember it?
Him: I thought you enjoyed it?
Me: Some of the performances
were excellent. And that bit where the
Yeti appeared in the middle of a traffic jam was hysterical.
Him: Is that the one where: man
goes into boat, Yeti comes out of boat?
Me: That’s the badger. Or I might be thinking of Peladonian
industrial action analogies.
Him: I don’t know what that
means.
Me: You’re not the only one. Getting back to the point – what’re your
thoughts on the marvellous DVD extra, The Battle of Two Runs Later at Demon’s Day?
Him: Is it a DVD extra?
Me: It will be.
Him: Oh. How do you know?
Me: Because the BBC will be
expecting a return on their investment.
And turning Murray Gold on is probably quite expensive.
Him: “Itsa-me, Murraygold!”
Me: Ha! The version we watched – do you want to say?
Him: I don’t know if that was
just the version we watched. I think
someone decided to put that in. “Itsa
not good enough. Needsa more horns.”
Me: Basically – and we were
spoiled a bit by watching The Birds
first, which has almost NO incidental music and yet, somehow, manages to be a
masterpiece1 – the version we
watched got almost halfway through without any comedy parp-parp music. I thought it made it a lot better. Y’know, hearing the dialogue without a Tom and Jerry soundtrack seeping in.
Him: Yeah, and then it goes PAAAARRRP!
Me: Jenny mentions London and
someone turns Murray Gold on. There’s a
mad PAAAARRRP! noise and then it's CBeebies up to the final line. Other than that, and some bum notes from the
Moff, it’s carried by the excellent performances. Having said that, it’d still be a better
spin-off than that Torchwood thingy.
Him: You’ll anger the Torchwood fans. All three of them.
Me: Harsh.
Him: I’m so hungry.
Me: Come on then, let’s get some
grub and watch The Invasion until
it’s time to crank up the Maggot of Patience.
Him: The Maggot of Patience.
Me: In space. Oh, I forgot to mention the shoddy treatment
of Babelcolour.3
Him: I’m not getting into that.
Me: Come on then. Grub awaits.
Him: Yay! Grub!
Me: In space.
"'Forgot about' what?" |
1. Are you listening, BBC?2
2. Obviously not.
3. The BBC are basically deleting the fine fellow’s videos from YouTube. For copyright infringement. This includes the colourisation that impressed BBC Worldwide so much that they gave Babelcolour the gig to hand-colour near-enough every frame of the first part of The Mind of Evil. An episode, by the way, the BBC wanted to make some money out of by releasing on DVD, but couldn’t because they only had a black and white copy after a zealous deaccession and junking session put paid to the original masters. Still, I bet the poor chaps who recorded the soundtracks off the telly back in the Sixties are sweating.1
2. Obviously not.
3. The BBC are basically deleting the fine fellow’s videos from YouTube. For copyright infringement. This includes the colourisation that impressed BBC Worldwide so much that they gave Babelcolour the gig to hand-colour near-enough every frame of the first part of The Mind of Evil. An episode, by the way, the BBC wanted to make some money out of by releasing on DVD, but couldn’t because they only had a black and white copy after a zealous deaccession and junking session put paid to the original masters. Still, I bet the poor chaps who recorded the soundtracks off the telly back in the Sixties are sweating.1
No comments:
Post a Comment